Bokelskere.no

Jeg stoler mer på tvilerne. De er ihvertfall ærlige. Jeg greier ikke juble for alle de heltemodige idiotene som er båret for sine meningers skyld. Jeg for min del nøler ett sekund med å mene at jorden er flat og gud er død og kommunismen rettferdig og kapitalismen naturlig, hvis jeg bare kan bli kvitt en flis i fingeren.

Sannelig
dette er gode tider
for de onde
Brødet er blitt så billig
at ingen dør på gaten
bare på avispapir
Like lang som
telefonkatalogen
er listen over
myrdede barn
og like kjedelig
Her skjer ingenting
Her bor bare mordere

I de store byene
er det langt fra hud til hud
men kort fra vegg til vegg

Jenter er noen underlige skapninger, og det er ikke ment som en fornærmelse. Jeg kan bare ikke si det på noe annet vis.

I den sosialrealistiske 1800-tallslitteraturen ender det som regel med bryllup eller død. Helst begge deler.

Mekanismer er ikke lover. De er ikke engang regler. De er vesenstrekk ved fortellekunsten som man som forfatter kan velge å a) avvise, b) plagiere, eller c) - som Per Petterson - lære seg å beherske.

Dyktig bruk av fortellingens mekanismer er nesten alltid et spørsmål om variasjon.

Two days ago, in the afternoon, Amanda said to me, "I can't read books anymore. Who has the time?" It was the day after Oliver had left, and we were in this little cafe in the industrial part of the city. "Who can concentrate anymore?" she said, stirring her coffee. "Who reads? Do you read?" (I shook my head.) "Somebody must read, I guess. You see all these books around in store windows, and there are those clubs. Somebody's reading," she said. "Who? I don't know anybody who reads."

She said if this weather didn't improve she was going to kill herself.

She was afraid, and her teeth began to chatter until she tightened her jaws. She saw a big car stop in front of the hospital and someone, a woman in a long coat, get into the car. She wished she were that woman and somebody, anybody, was driving her away to somewhere else, a place where she would find Scotty waiting for her when she stepped out of the car, ready to say Mom and let her gather him in her arms.

"When Harold's grandpa was sixteen years old, he set out to read the encyclopedia from A to Z. He did it, too. He finished when he was twenty. Just before he met my mama."
"Where's he now?" I asked. "What's he do?" I wanted to know what had become of a man who`d set himself a goal like that.
"He's dead."

When I first read this it came to me with the force of revelation. This is what I wanted to do with my own stories: line up the right words, the precise images, as well as the exact and correct punctuation so that the reader got pulled in and involved in the story and wouldn't be able to turn away his eyes from the text unless the house caught fire.

“Trees in your eyes ... Stars in your heart.”