At one point in history, to approximate the color of ultramarine, which comes from lapis, which for quite some time was available in only one mine, in what we now call Afghanistan—Sar-e-Sang, the Place of the Stone—and had to be journeyed out via hundreds of miles of treacherous trade roads, Westerners would churn up cheaper pigments with blood and copper. Generally speaking we don't do this anymore. We don't store our oils in the bladders of pigs. We go to the store. If we want to know what a phosphene is, we don't mash our fists into our eyes. We Google the word. If you're depressed, you take a pill. Some of these pills are bright blue. If you're lonely, there's a guy on Craigslist two blocks away who says he has an hour to kill and a dick longer than a donkey's. He has posted a photograph to prove it.
Goethe describes blue as a lively color, but one devoid of gladness. "It may be said to disturb rather than enliven." Is to be in love with blue, then, to be in love with a disturbance? Or is the love itself the disturbance? And what kind of madness is it anyway, to be in love with something constitutionally incapable of loving you back?
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream.
Dear friend now in the dusty clockless hours of the town when the streets lie black and steaming in the wake of the watertrucks and now when the drunk and the homeless have washed up in the lee of walls in alleys or abandoned lots and cats go forth highshouldered and lean in the grim perimeters about, now in these sootblacked brick or cobbled corridors where lightwire shadows make a gothic harp of cellar doors no soul shall walk save you.
Suttree av Cormac McCarthy.
How surely are the dead beyond death. Death is what the living carry with them. A state of dread, like some uncanny foretaste of a bitter memory. But the dead do not remember and nothingness is not a curse. Far from it.
If concealment is the single weapon, then a villain is never a villain: one smiles to the very end.
The world was a frightening place, yes, he knew: unlasting, what could be forever? or only what it seemed? rock corrodes, rivers freeze, fruit rots; stabbed, blood of black and white bleeds alike; trained parrots tell more truth than most, and who is lonelier: the hawk or the worm? every flowering heart shrivels dry and pitted as the herb from which it bloomed, and while the old man grows spinsterish, his wife assumes a moustache; moment to moment changing, changing, like the cars on the ferris wheel.
Any love is natural and beautiful that lies within a person’s nature; only hypocrites would hold a man responsible for what he loves, emotional illiterates and those of righteous envy, who, in their agitated concern, mistake so frequently the arrow pointing to heaven for the one that leads to hell.
Before birth; yes, what time was it then? A time like now, and when they were dead, it would be still like now: these trees, that sky, this earth, those acorn seeds, sun and wind, all the same, while they, with dust-turned hearts, change only.
Jeg har så vidt startet på Other Voices, Other Rooms av Truman Capote, og planlegger å lese den ferdig i helgen.
Jeg har også nettopp blitt ferdig med Cormac McCarthys fantastiske Child of God, og har i grunnen lyst til å lese mer McCarthy med det samme. Det kan hende jeg blir nødt til å begynne på grensetrilogien hans i løpet av morgendagen.
You think people was meaner then than they are now? the deputy said.
The old man was looking out at the flooded town. No, he said. I don't. I think people are the same from the day God first made one.
You reckon there are just some places the good lord didn't intend folks to live in?
Could be, said the sheriff. He's got a bullheaded bunch to deal with here if it's so though, ain't he?
Damned if he don't.
In the spring or warmer weather when the snow thaws in the woods the tracks of winter reappear on slender pedestals and the snow reveals in palimpsest old buried wanderings, struggles, scenes of death. Tales of winter brought to light again like time turned back upon itself.
All the trouble I ever was in, said Ballard, was caused by whiskey or women or both.
Min utgave var av den rosa sorten, og jeg ville aldri valgt denne verken ut fra cover eller baksidetekst. Og det hadde vært synd, for dette er en altoppslukende, original og morsom (!) krim! Anbefales på det sterkeste.
Denne helgen tar jeg fatt på pensum igjen, så jeg kommer først og fremst til å lese språkhistorie. Innimellom planlegger jeg å lese litt i The First Collection of Criticism by a Living Female Rock Critic av Jessica Hopper.
Bodies could be beacons, too, Saul knew. A lighthouse was a fixed beacon for a fixed purpose; a person was a moving one. But people still emanated light in their way, still shone across the miles as a warning, an invitation, or even just a static signal. People opened up so they became a brightness, or they went dark. They turned their light inward sometimes, so you couldn't see it, because they had no other choice.
Då eg var lita, innbilte eg meg at eg var svært oppteken av filosofi, men då eg tok konsekvensen av denne innbilte interessa, og begynte å lese filosofi, oppdaga eg at eg ikkje var interessert likevel. Eg ville bare lære å leve rett, ikkje rote meg inn i noko helvetes dualismeproblematikk.
Først og fremst en glitrende, og dermed skremmende, skildring av Tyskland under nazistene. Krimintrigen ble jeg ikke så opptatt av, og det ble så skrekkelig mange navn. Og på tysk til og med! Men samfunnet... Har egentlig ikke godt av sånne bøker, jeg. Torturkrim med blodsprut har jeg ingen problemer med, men brutaliteten her er jo ekte. Det har skjedd og skjer stadig mange steder i verden. Tankevekkende.
Manus før utgivelse.