the house at the end of the moor

Hercule

Gjennomsnittlig terningkast: 5.00 (1 terningkast.)

1 bokelsker følger dette verket.

Kjøp boken hos

Kjøp boka hos ark.no

Bokdetaljer

Finn boka på biblioteket

Du kan velge et fast favorittbibliotek under innstillinger.

Finner du ikke ditt favorittbibliotek på lista? Send oss e-post til admin@bokelskere.no med navn på biblioteket og fylket det ligger i. Kanskje vi kan legge det til!


Bokelskeres terningkastfordeling

0 1 0 0 0 0

Bokomtaler

Famed opera singer Margaret Lee is hiding out at Morden Hall at the end of Dartmoor, when she finds escapee prisoner Oliver Ward lifeless at the side of the road. The plot centers around a jewel theft they both are connected to. On an intense and dangerous mission to bring down the real jewel thief they have to deal with people as dangerous as they are powerful.

Having fled from her contract obligations to sing in Bath, famed opera singer Margaret Lee is in hiding at the end of Dartmoor. She feels she has to escape to protect herself and her father from threats and violence. After 9 months at the end of the moor she is still scared her manager, Mr. Grout, will find her.

Oliver was wrongly convicted for theft of a jewelry necklace and has fought to stay alive in Dartmoor prison. He makes a narrow escape with dangerous and violent Prison Warden, Mr. Barrow, on his tale. This is why he ends up near Margaret’s house, wounded and unconscious. When he gets better, he recognizes Margaret as the one who wore the necklace just before it was stolen. He suspects her to be the thief. She thinks she is in possession of a theatre prop, and is shocked to find out it is real.

Margaret and Oliver realize they have to work together, so they decide to set out on a journey to Bath to solve the jewel mystery as well as trying to stay safe from Mr. Barrow and Mr. Gout who are chasing them. Throughout this ordeal, they get to see each other bring out their best under pressure.

I really liked the character of Margaret as she tries to fend for herself in a world of powerful men. I found her reactions believable for a woman of that time lacking the security of family or powerful connections to shield her. All her life she has been told what’s acceptable and what’s not by men, but now she is done with it. She has a good heart taking mute girl Nora into her employ, when she is harassed in the local community.

Oliver seems a real charmer with the ladies, and well connected among various groups of potential voters come election day to parliament. He uses his silver-tongued skills for all they are worth to get out of sticky situations. His work in favor of the less fortunate has led to powerful people wanting to get rid of him, hence the wrongful conviction. His political views seem something like Ross Poldark’s, as he fights for the poor and against people whose goal in life is lining their own pockets whatever it takes.

This story contains some seriously unsavory characters. Well done! Prison Warden and law enforcement officer Sebastian Barrow in particular, who has his very own interpretation of what trust in God entails. I find him to be a violent, dangerous and appalling man. When dealing with prisoners, knocking them senseless seems to be his go-to approach. Whether they survive or not doesn’t seem to concern him. He is an excellently crafted villain character with a questionable stability of mental health. He really pushes my buttons. I am pleased to see there is a bit of a positive development towards the end of the story, so stay tuned.

The story is told from Oliver’s and Margaret’s points of view as well as Mr. Barrow’s, who keeps hunting them down to achieve his version of justice and God’s will. The plot contains some intense and dramatic parts, mixed with calm in which the relationship between Margaret and Oliver gets room to develop and, I’m pleased to say, my shoulders get to relax a bit. I really enjoyed the funny streaks mixed into this story, which lightens the mood in spite of the sometimes intense drama.
As the danger temporarily subsides Margaret gets conscious of some of Oliver’s positive traits. There are contrasts in this plot which I love. We move from sequences of Dickensian proportions to opulence in homes of the super rich in Bath. There is a clear element of faith running through the plot which I also truly appreciate.

Fans of Michelle Gripe will enjoy The House at The end of The Moor. It is recommended for readers of historical fiction too.

Thank you to Barbour Publishing and NetGalley for this eARC in return for my honest review. All opinions in this review are completely my own.
My rating: 5 stars / 5

Godt sagt! (0) Varsle Svar

Skriv en omtale Se alle omtaler av verket

Diskusjoner om boka

Ingen diskusjoner ennå.

Start en diskusjon om verket Se alle diskusjoner om verket

Sitater fra dette verket

Ingen sitater ennå.


Legg inn et nytt sitat Se alle sitater fra verket