Bokelskere.no

"Those stories always leave something out," Tress said. "It's really not a problem that someone needs to be saved. Everyone needs help. It's hard to be the person who makes trouble, but the thing is, everyone makes trouble. How would we help anyone if nobody ever needed help?"

The cups they brought her were often battered and worn, but Tress didn't mind. A cup with a chip or ding in it had a story. She loved them all because they brought the world to her. Whenever she sipped from one of the cups, she imagined she could taste far-off foods and drinks, and perhaps understand a little of the people who had crafted them.

I'm not one of those people who care if you use words wrong. I prefer it when words change meaning. The imprecision of our language is a feature; it best represents the superlative fact of human existence: that our own emotions – even our souls – are themselves imprecise. Our words, like our hearts, are weapons still hot from the forging, beating themselves into new shapes each time we swing them. Yet irony is an intriguing concept. It exists only where we want to find it, because for true irony, expectation is key. Irony must be noticed to exist. We create it from nothing when we find it. But unlike other things we create, like art, irony is about creating tragedy.
Irony is reversal. Set up, then collapse.
A perfect bit of irony is a beautiful thing. So watch. Enjoy.

Oh, the five senses? Yes, I said I lost my sense of taste to the Sorceress's curse. You thought...you thought I meant that sense of taste?
Oh, you innocent fool.
She took my other sense of taste. The important one. And with it went my sense of humor, my sense of decorum, my sense of purpose, and my sense of self. The last one stung the most, since it appears my sense of self is tied directly to my wit. I mean, it's in the name.
As a result, I present you with Hoid, the cabin boy.