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A seventeen-year-old boy (I'd be eighteen in March) tooling across Mulholland in a convertible Mercedes dressed in a private-school uniform and wearing Wayfares is an image from a certain moment of empire that I was, at times, self-conscious about—did I look like an asshole? I'd briefly wonder—before thinking: I look so cool I don't care.

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And the prince-of-darkness literary persona readers thought I had always embodied was now vanishing, being replaced by something sunnier—the man who wrote American Psycho was actually, some people were surprised to find out, just an amiable mess, maybe even likable, and not nearly the careless nihilist so many people mistook me for, an image that I perhaps played along with anyway.

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