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There are of course at least two such chasms, one between the postmodernist investigator and the informant, and the other between the writer and his audience. Facing each of these chasms, our postmodernist will prove his trans-positivist sophistication and sensitivity by being overwhelmed by both of them, and displaying his real depth, his awareness of the hermeneutic problem, by demonstratively failing to cross either, dissolving into chaos, impenetrable prose, and speaking in tongues. Strictly speaking, the rest should (logically) be silence.