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To believe everything, to make no choices, amounts to much the same thing, to my mind, as believing in nothing at all.
Turning-points are the inventions of story-tellers and dramatists, a necessary mechanism when a life is reduced to, traduced by, a plot, when a morality must be distilled from a sequence of actions, when an audience must be sent home with something unforgettable to mark a character's growth.
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