Secondly the horse was a pasero, which in this case does not mean a ferryman but a horse which has been carefully trained not to trot but to move at a steady, undulating lope. This was the one pace at which Don Emmanuel never rode it, so it had not only a sagging back, but also the depressed, irritated and frustrated air of a natural artist whom financial straits have reduced to taking a job as a bank clerk.

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