So, in the first months of the year 1913, Stalin, Hitler and Tito, two of the twentieth century’s greatest tyrants and one of the most evil dictators, were, for a brief moment, all in Vienna at the same time. One was studying the questions of nationality in a guest room, the second was painting watercolours in a men’s boarding house, and the third was circling aimlessly around the Ringstrasse to test how well various automobiles handled the corners. Three extras, or non speaking parts, one might think, in the great play that was ‘Vienna in 1923’.

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