Roger Waters is thought, by many, to be the gloomiest man in rock. The Wall was gloomy and his solo LPs, The Pros and Cons of Hitchhiking (1984) and Radio K.A.O.S. (1987), were gloomy, and his latest work, Amused to Death, is frightfully gloomy. Waters’ voice drones along to warn us that: a) there’s a squaggly Jeff Beck guitar solo coming up any minute; b) everything is horrible, especially television, war, the entire universe and Andrew Lloyd Webber.