Slow Days, Fast Company

The World, The Flesh, and L.A. (New York Review Books Classics)

av (forfatter) og Matthew Specktor (introduction).

NYRB Classics 2016 Paperback

Gjennomsnittlig terningkast: 4.67 (3 terningkast.)

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Bokdetaljer

Forlag NYRB Classics

Utgivelsesår 2016

Format Paperback

ISBN13 9781681370088

Språk Engelsk

Sider 184

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I don’t really know if it was the flimsies or the dinner but I’ve often noticed that there is a moment when a man develops enough confidence and ease in a relationship to bore you to death.

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I fell in love with Shawn more when he picked up the check for breakfast and insisted that it was all on him. That’s when I fell in love with him, I remember now perfectly.

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My sister is small, light, beautiful, with no hips and perfect breasts. I am fifteen pounds overweight, which I can forget sometimes until my sister appears. I am sort of invincible looking and I never display any of those womanly qualities so praised through the ages, like modesty, tact, or sweet vulnerability. My sister, on the other hand, always looks as though her favorite kitten just got run over.

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Having quit smoking, I knew what she meant. Unless one is in the exact right mood, it’s impossible. Smoking has been so glamorous for so long, all those matches, those pauses, the lipstick on the tips—the smoke itself curling its casual way through the most nerve-wracking moments. But in another way, smoking, although glamorous, has never been as glamorous as heroin—and dying from cigarettes just doesn’t have the tragic sunset quality that O.D.ing lends to death. Heroin is the celebrated romantic excess of our time.

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The Blackboard is a big ordinary room, not too organized, and you don’t have to pay to get in or anything. There’s a stage where a kind of charming-looking band plays country songs, there’s a nice big dance floor, there are tables and chairs, and opposite from the stage running the whole length of the room is a bar. A cop at the door asked for my I.D.—a wonderful moment.

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Funnet på Slate.com. With the publication this month of Today Will Be Different, Maria Semple’s follow-up to Where’d You Go, Bernadette, we got to wondering: What’s the funniest book by a living writer? Well, who better to ask than Maria Semple? The Seattle-based novelist told us her three favorite funny books, so then we asked those three authors. Then we kept asking. Our daisy chain of hilarity includes recommendations from more than 30 writers, including David Sedaris, Junot Díaz, Elif Batuman, Paul Beatty, Miranda July, Chris Kraus, and Don Novello. It’s not only an intellectual map of the state of modern humor writing, but a handy guide to scores of books that will make you LLOL.


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