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The fashion for weddings in 1833 was not what it is today. France has not yet borrowed from England the supreme refinement of abducting your wife, running off as soon as you are out the church door, hiding your happiness in shame and generally behaving like a bankrupt emulating the ravishment portrayed in the Song of Songs.
The glance has been so abused in love stories that we have ended up discounting it. Hardly anyone ever dares now say that two beings fell in love because their eyes met. And yet that is the way you fall in love and it is the only way you fall in love. The rest is simply the rest and comes after. Nothing is more real than those great seismic shocks that two souls give each other in exchanging that spark.
No ambition is fully realized, not in this world, at least. There is no heaven on earth in the age in which we live.
This book is a tragedy in which infinity plays the lead.
Man plays a supporting role.
[...] for there are things that sound bizarre and yet are strictly correct, and just as it is true to say that in big cities the sun causes the façades of houses facing south to vegetate and grow, it is a fact that the frequent passage of vehicles widens streets.
You come out of the chapel and on the left you see a well. There are two in the courtyard. You ask: Why isn't there a bucket and a pulley at this one? It is because water is no longer drawn from it. Why isn't water drawn from it anymore? Because it is full of skeletons.
So he asked himself where he stood. He put himself through the third degree over this "decision reached." He confessed to himself that everything he had just managed to get into order in his mind was monstrous, that "to let things alone," "to let God's will be done," was quite simply horrible. To let this mistake of fate and of men be perpetrated, not to stop it, to have a hand in the process through his silence, in a word, to do nothing, was to do everything! It was the final degree of hypocritical vileness! It was a crime - a low, cowardly, sly, abject, hideous crime!